
Brad Sears creates handcrafted lidded boxes, bowls, and platters in his studio in Pennsylvania's Pocono Mountains. Using rescued local hardwoods, he takes pride in the creation of functional art with a quality that allows his pieces to be enjoyed for generations.
Interested in learning a bit about woodturning, or simply curious about Brad's work?
He has shared a series of articles on his blog titled "From Tree to Table", detailing parts of his process of turning a blank chunk of wood into a functional thing of beauty. In addition to giving
us an insight into his process, this series also illuminates the fact that professional artistry is - to put it mildly - really hard work.
There seems to be a general opinion outside of the crafting community that handmade goods by nature should be less expensive than mass-produced. (For an interesting read on this topic, see Megan's recent post at Crafting an MBA: "Etsy and the culture of cheap".) Artists certainly vary widely in the ways they choose to structure their pricing, but many have felt frustrated from time to time when the value of their work is questioned. The people who make these comments are often ignorant about how much time and effort really goes into an artist's creation, not to mention all of the indirect costs associated with selling said creation.
So in the subject of woodcrafting and lathe turning, how much work is involved to produce something that will last a lifetime? I enjoyed reading Brad's step-by-step process that includes details about exactly what's involved in the lengthy process of creating a bowl.
As you read about this process, also keep in mind that turning a bowl on a lathe is much less complicated than, say, one of his lidded boxes (like the one pictured below).

all images (C) Brad Sears Woodturning
Interested in learning a bit about woodturning, or simply curious about Brad's work?
He has shared a series of articles on his blog titled "From Tree to Table", detailing parts of his process of turning a blank chunk of wood into a functional thing of beauty. In addition to giving
us an insight into his process, this series also illuminates the fact that professional artistry is - to put it mildly - really hard work.There seems to be a general opinion outside of the crafting community that handmade goods by nature should be less expensive than mass-produced. (For an interesting read on this topic, see Megan's recent post at Crafting an MBA: "Etsy and the culture of cheap".) Artists certainly vary widely in the ways they choose to structure their pricing, but many have felt frustrated from time to time when the value of their work is questioned. The people who make these comments are often ignorant about how much time and effort really goes into an artist's creation, not to mention all of the indirect costs associated with selling said creation.
So in the subject of woodcrafting and lathe turning, how much work is involved to produce something that will last a lifetime? I enjoyed reading Brad's step-by-step process that includes details about exactly what's involved in the lengthy process of creating a bowl.As you read about this process, also keep in mind that turning a bowl on a lathe is much less complicated than, say, one of his lidded boxes (like the one pictured below).
Read the "From Tree to Table" series:
(...and stay tuned on his blog for Part 5 - History of Bowl Turning)
Check out Brad's website to view his portfolio: TurningArts.com
Interested in purchasing a hand-turned piece of art for your home? Visit Brad Sears on Etsy.
(my current favorite? this awesome little maple natural-edge bowl. really? only $15?? somebody had better go and buy it before i snatch it up... )
Interested in purchasing a hand-turned piece of art for your home? Visit Brad Sears on Etsy.
(my current favorite? this awesome little maple natural-edge bowl. really? only $15?? somebody had better go and buy it before i snatch it up... )

all images (C) Brad Sears Woodturning

























